即刻观影
剧情赏析
编辑推荐
出卖她的肉体
弗里达法瑞尔,加布里埃尔·奥尔德斯,马修·马斯登Selling Isobel, a thriller based on true events, featuring the real victim in true life playing the main charter. It's about a woman who got locked in, drugged, held against her will and sold to numerous men for 3 days in an apartment in central London. It's a film about her fight for survival all the way to the gruesome end.
暗金丑岛君:完结篇
山田孝之,绫野刚,永山绚斗,真飞圣,间宫祥太朗,海,最上摩卡,真野惠里菜,仲野太贺,狩野见恭兵,凑莉久,天使萌,槙田雄司,玉城蒂娜,六角精儿,茂吕师冈,安藤政信,八岛智人,高桥玛莉润,崎本大海,矢部享佑在物欲横流的社会里,高利贷公司CowCow Finance的事业继续蒸蒸日上。然而,随着某日突然来访的,将社长丑岛馨称呼为“小馨”的中学同班同学竹本的出现,丑岛的过去逐渐被揭开。丑岛与盟友戌亥、得力下属柄崎和高田不得不面对来自知晓丑岛过去故事的最强敌对者鳄户三兄弟、与丑岛旧恨未了又添新仇的女性高利贷者犀原茜、欲要毁灭丑岛的十分有手腕的律师都阴以及立场无法判明的竹本的多重挑战,CowCow Finance史上最大危机来临……
终极囚禁
Jascha Washington,Whitney Hoy,Marc Donato,Justin Arnold,Travis Tedford,Julin,Lindsay Seidel,Mark Nutter,Hunter Garner,Eric Isenhower,Preston Flagg,Matthew Posey,Laura Ashley Samuels,Vincent Silochan,Farah White,Daniel Ross,Ryan Hayden,Morgana Shaw美国德州一所高中,以布莱德利(贾斯廷·阿诺德 Justin Arnold 饰)为首的一众男女学生风生水起,横行霸道,经常以欺负人为乐趣。印度裔学生莱比(Vincent Silochan 饰)、瘦小的戴恩(马克·多纳托 Marc Donato 饰)和有些内向自闭的女孩艾米莉(林德赛·西德尔 Lindsay Seidel 饰)等人更是他们优先欺负的对象。学校的状况已然如此,与亲人的关系又分外冷淡和紧张,戴恩他们的生活看不到一点儿希望。 8个月前,戴恩的叔叔去世,留给他一座偌大的农场作遗产。饱受欺负且试图自杀的他找到和自己同病相怜的几个人,他们决定把学校的小霸王们请到举行派对,在劲歌热舞之中展开准备已久的血腥复仇……
草莓之夜2013
竹内结子,西岛秀俊,小出惠介,宇梶刚士,丸山隆平,津川雅彦,渡边一计,远藤宪一,高岛政宏,生濑胜久,武田铁矢,染谷将太,金子统昭,金子贤,鹤见辰吾,石桥莲司,田中哲司,三浦友和,大泽隆夫,横山美雪仿佛永不停歇的连绵之雨,引领着成军四年半的姬川班前往终点。在一周时间内,东京连续发生三起作案手法雷同的杀人事件,死者全部隶属最大黑帮大和会的下属组织。警方旋即成立搜查总部,组队四课坚持认定该案件因继承人之位而起,而姫川玲子(竹内结子 饰)提出质疑,导致总部分裂。随之而来的神秘电话,令玲子将目标锁定在柳井健斗(染谷将太 饰)的陌生男子身上,然而高层却下令她禁止追查柳井这条线索。绝不随便屈从强权的玲子,在菊田和男(西岛秀俊 饰)等姬川班伙伴的掩护下展开独立调查,在此过程中,柳井不堪回首的过去以及和警方错综复杂的关系逐渐明朗。而和自称房地产商人的牧田勋(大泽隆夫 饰)邂逅,使得同样背负着伤痕的玲子命运发生转变…… 本片根据誉田哲也的系列悬疑小说《草莓之夜》改编,为同名电视剧的剧场版。
孔雀舞曲
高我星,文相敏,卞约汉影片根据朴玟奎的同名小说改编,讲述相貌平平的女人和喜欢她的男人的成长故事。
公寓2024
斯文·索奇塔,细田善彦,Rous Mony,Touch Narady,ManikaFollowing her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present. Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.