捕风者
马拉斯表面上是一家车行的修车工，但暗地里却做着偷车的营生。一次他在外出工作时自做主张偷了一辆黑色奔驰车，却发现自己无意中卷入了一场地下毒品交易和谋杀案中，因而遭到了警察局长斯图帕尔和黑帮头目戈卢布的双重追击。为了不牵连家人，马拉斯只能投靠与黑帮有勾结的斯图帕尔，从此踏上了一条命运未知的道路。
即刻观影
剧情赏析
编辑推荐
叶甫盖尼·奥涅金
弗拉季米尔·弗多维琴科夫,阿廖娜·克梅尔尼茨卡亚,Liza Moryak,维克多·杜布朗拉沃夫,塔基杨娜·柳达耶娃叶甫盖尼·奥涅金的生活很奢华：舞会、招待会、戏剧首演以及首都能为年轻人提供的其他娱乐活动。但社交生活早已让他疲惫不堪，因此他认为住在村里的叔叔生病的消息是一个逃离令人厌恶的世界的机会。然而，到了庄园后，奥涅金得知一个亲戚去世了，但这并没有让叶甫盖尼太难过。他的经济状况非常糟糕，叔叔很有钱，却没有其他继承人。奥涅金把自己关在庄园里，避开邻居，邻居们很快就开始称他为怪人。叶甫盖尼过着漫无目的的孤独生活，直到从国外回来的庄园主人出现在邻近的庄园--一个年轻、热情、对生活尚未满足的连斯基，他把叶甫盖尼介绍给了塔吉娅娜和奥尔加·拉林姐妹。
开心勿语
梅艳芳,曾志伟,吴君如,蔡一杰,蔡一智梅家四姐妹父母早亡，多亏大姐大香（梅艳芳 饰）独立经营点心店，妹妹二香（柏安妮 饰）、三香（陈加玲 饰）和四香（袁洁莹 饰）才能顺利完成学业，出落成开朗可爱、美丽动人的大姑娘。三个妹妹吸引来无数的追求者，她们也各自找到了心仪之人。然而梅家有个不成文的规定，只有大姐出嫁后三个妹妹才能顺序出嫁，偏偏大香不重仪表，脾气又坏，男人们唯恐避之不及，这可愁坏了三个愁嫁的女孩。为了让姐姐早日找到如意郎君，她们和各自的男友商量帮大香物色一个合适的对象。 三好小男人曾灶才（曾志伟 饰）被女友爱丝（吴君如 饰）抛弃，伤心欲绝之时，他被三姐妹找来追求冰山美人大香……
冒牌大贼
黄日华,林忆莲,左颂升死党阿华，师爷仔及飞牛三人分别任职于会计，律师楼及警员。他们均喜欢包租婆的女儿蒙珠。一日，阿华知道会有巨额运抵公司及发现有贼人已铺好路线偷款。于是将计就计，他们预先偷走巨款，然后嫁祸给劫匪。虽然钱得手，但全是废纸，而烦恼才刚刚开始……
这么远那么近
朴浩山,宋再临,高恩敏一位外向、人缘好的酒吧老板，虽然平日喜欢与人群为伍，内心深处却一直隐藏着对十年前逝去恋人的细腻思念。每当他遇见容貌神似她的女子，总是不自觉地驻足凝望，深陷于回忆的漩涡中。
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
外出时刻
罗兰·拉斐特,埃马纽埃尔·贝克特,帕斯卡尔·格雷戈里,格雷戈里·蒙泰尔,安娜·卢瓦雷,Cyrille Hertel,卢安娜·巴杰拉米,Victor Bonnel,格林奇,托马斯·西梅卡,盖伊·托马斯,Véronique Ruggia罗兰·拉菲特([她])、艾玛纽尔·贝克特([我的国王])主演新片[外出时刻]( L’heure de la sortie，暂译)进入拍摄后期。本片由塞巴斯蒂安·马赫尼耶自编自导。故事讲述皮埃尔因一位年轻老师自杀，作为填补进入圣·约瑟夫学院工作。他很快发现这里青少年散发着一种敌意。本片预计8月2日杀青。