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坏妈妈
米拉·库尼斯,凯瑟琳·哈恩,克里斯汀·贝尔,克里斯蒂娜·艾伯盖特,贾达·萍克·史密斯,安妮·玛莫罗,乌娜·劳伦斯,恩杰伊·安东尼,大卫·瓦尔顿,克拉克·杜克,杰伊·埃尔南德斯,维德尔·皮尔斯,莉亚·麦肯德里克,梅根·弗格森,莱尔·布罗卡托,旺达·塞克丝,凯德·曼斯菲尔德·库克西,J·J·瓦特,安·马奥尼,萨曼莎·博利厄,唐娜·杜普兰提尔,克莉丝缇娜·德萝莎,扬·费尔德曼,杰伦·摩尔所有人都以为，艾米（米拉·库妮丝 Mila Kunis 饰）拥有着幸福美满的婚姻生活——恩爱的丈夫，乖巧的孩子，优渥的生活条件，但只有艾米自己知道，为了维系这看似光鲜的表象，她的内心早已经精疲力尽。丈夫把所有的家务事都一股脑的甩在她的头上，在处理这些琐事的同时，艾米还必须兼顾着去讨好她周围其他的妈妈们。 终于有一天，艾米再也受不了她的生活了，她离开了家庭，抛弃了丈夫和孩子，带着闺蜜琪琪（克里斯汀·贝尔 Kristen Bell 饰）和卡拉（凯瑟琳·哈恩 Kathryn Hahn 饰），两名同样受到生活疯狂压榨的家庭主妇，三人踏上了一条疯狂的狂欢之路。
深度安静
张孝全,林依晨,金士杰,丁宁,陈季霞,马志翔,蔡亘晏,孟克柔影片改编自林秀赫同名短篇小说。讲述谕明与依庭相遇于大学图书馆里的深度安静区，两人相爱并走入婚姻，正期待迎接第一个孩子。然而，依庭的意外自杀让谕明陷入混乱与痛苦。他想起依庭在怀孕后变得异常，甚至提出离婚。自责的谕明照顾起依庭的家人，透过深入了解她的家庭后，开始理解她的行径，以及她无法面对自己父亲的原因，真相却让人难以接受。
假装热情
郑在泳,朴宝英,吴达洙,卓在勋,柳贤静,柳德焕,陈庆,尹均相《职场大翻身》改编自李慧林的同名小说，曾执导过《创可贴》的导演郑基勋亲自改写了剧本并执导，联同演技级人马演员郑在泳、新生代人气女星朴宝英、老戏骨吴达秀、裴成宇、柳德焕等实力派连袂主演。电影讲述一名体育报社演艺部记者在采访现场孤军奋战的成长故事。电影中朴宝英饰演的新人实习记者「杜丽熙」在报道娱乐事件的过程中卷入新闻的漩涡而逐渐锻炼成长。郑在泳饰演的是朴宝英的上级「河在观」，是娱乐部的「定时炮弹」不知道何时就会「爆炸」，两人会有怎样的合作火花也令影迷非常期待。 杜丽熙（朴宝英饰）是社会新鲜人的代表，为了在战场一样的职场中生存下来而绞尽脑汁费劲心理，然而却因为没有经验而屡屡闯祸。她梦想着成为成功职场女性，高喊着有热情就有一切的口号，然而现实却是手里的每件事都搞砸。杜丽熙作为见习记者开始了工作，本以为只要进了公司人生就会变得一帆风顺，但她却遇到了像“定时炸弹”一样的上司（郑在泳饰），第一天上班就被安排出去外采，什么都不懂的她只能跌跌撞撞地自己摸索，而意料之外的种种困难让她想到辞职。
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
男孩、鼹鼠、狐狸和马
汤姆·霍兰德尔,伊德瑞斯·艾尔巴,加布里埃尔·伯恩,裘德·科沃德·尼科尔查理·麦克西的同名绘本改编的手绘动画，关于善良、友谊、勇气和希望，通过一段辛酸而真挚的旅程，讲述了一个男孩、一只鼹鼠、一只狐狸和一匹马，四个孤独的灵魂在寻找家的过程中结伴而行，并在彼此身上找到了自己存在的意义。
养鬼吃人4
Charlotte Chatton时间转眼到达2127年,修老道又从地狱中走了出来,这一次,他发觉自个儿在外宇宙的一艘飞船上,原来这是Merchant博士的一个规划,他计划将地狱之门永恒的闭合.Merchant博士的祖辈,一个18百年的七巧板制作商,就是魔方的制作者.固然几个百年以往了,但Merchant一家始末为关闭地狱之门而尽力尽量.这一次,Merchant博士要在外宇宙将修老道彻底消泯……