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电子云层下
梅拉布·尼尼泽,丘尔潘·哈马托娃,拉米尔·萨尔霍乌德诺夫,卡里姆·帕卡什科夫,阿纳斯塔西娅·梅利尼科娃,彼得·戈萨沃斯基,路易斯·弗兰克,维克托·博科夫,维多利亚··科如托科娃忘我星途
Vino G. Bastian,迪娅·潘德拉,Agus Kuncoro丹凤眼
陈虹妤,麦肯娜·格瑞丝,麦特里伊·拉玛克里斯南,邬君梅,阿梅莉·齐尔伯,杜方,伊莲·亨德里克斯,梅根·海耶斯,克里斯汀·崔,夏洛特·安·塔克,布里顿·韦伯,Callie McClincy,Scott Deal,萨拉·科普金,R.基斯·哈里斯,乔纳森·D·威廉斯,马龙·托马斯,伊丽莎白·潘,Cecelia Specht,Katy Wilson,马克·德米特冒牌大贼
黄日华,林忆莲,左颂升泻湖恶棍
珍娜·卡兰,格雷格·多尔查克,托里·埃利斯深渊未远
Jamie Woods,Isabella Mangano,Jacob Pontil-Scala,米利亚娜·坎卡尔,Andy Steuart,Isobel Lauber同类推荐
回应我
苏菲·王尔德,阿里·麦卡锡,哈米什·菲利普斯,基特·埃尔哈特·布鲁斯,萨拉·布罗肯莎,杰登·戴维森,桑尼·约翰逊,马库斯·约翰逊,基达安·泽勒克,詹姆斯·奥利弗,乔·伯德,杰特·加兹利,亚历珊德拉·詹森,Dog,Helene Philippou,米兰达·奥图,佐伊·特雷克斯,克里斯·阿洛西奥,奥蒂斯·丹吉,利安娜·瓦尔斯曼,亚历珊卓娅·斯蒂芬森,亚采克·科曼孤独的少女米娅沉迷于通过陶瓷手召唤灵魂的刺激，但当她面对一个自称是她死去母亲的灵魂时，她释放了一场超自然力量的瘟疫，并努力决定她可以信任谁，是选择活着的人还是死者？
奇迹梦之队
凯莱布·麦克劳克林,加布里埃尔·尤尼恩,斯蒂芬·库里,妮可拉·考夫兰,尼克·克罗尔,大卫·哈伯,詹妮弗·路易斯,帕顿·奥斯瓦尔特,Jelly Roll,亚伦·皮埃尔,鲍比·李,安德鲁·桑提诺,雪莉·可拉,爱德华多·弗兰科,詹妮弗·哈德森,阿伊莎·库里梦想成为职业球手的小山羊威尔，虽然天生身材矮小，却凭借超凡球技闯入梦寐以求的球队。然而本以为是梦想起点，没想到却是“地狱开局”，这支梦中情队不仅赛绩成绩堪忧，队友还个个都是“人才”。面对来自队友的质疑与对手的嘲讽，他能否用自己的意志点燃球队，带领这支落魄之师创造新的奇迹？
我的学姐是青蛇
打破白娘子传说的固有框架，以许仕林后人许博森的现代视角切入，将千年神话与当代青年的成长、抉择结合，把 “救母” 而非 “爱情” 作为核心主线，赋予经典故事全新的情感内核与现实思考。
爱情鸟的自救
库梅尔·南贾尼,伊萨·雷,安娜·坎普,保罗·斯帕克斯,凯尔·柏海莫,乔·克里斯特,布莱恩·克恩,莫西斯·斯托姆,贾伦·米切尔,T·C·马特恩,格拉伦·布莱恩特·班克斯,尼古拉斯·帕森斯,安东尼·迈克尔·弗雷德里克,韦米蒂娅·埃拉恩,莱斯利·卡斯泰,Kenneth Kynt Bryan,Catherine Cohen,Kelly Murtagh,Andrene Ward-Hammond一对情侣（伊萨·雷和库梅尔·南贾尼饰）正在互诉衷肠，结果被无意中卷入了一场谋杀迷局。洗刷罪名的过程极端又滑稽，他们必须挺过这一夜，以保住两人的恋情和性命。
好像一切都很糟糕
Melis Sevinç,Melisa Bostancıoğlu,İbrahim Arıcı,Mert Can SevimliAyşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster