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丹尼·戴尔,诺埃尔·克拉克,埃米尔·马尔娃,李·恩格里比,Keith-Lee Castle,克里斯蒂娜·科尔,特里·斯通,尼尔·马斯克尔,埃米莉·布思,斯蒂芬·格拉汉姆,杰西卡-简·斯塔福德,阿黛尔·秀娃,Zac Mattoon O'Brien,玛丽·塔姆,比利·穆瑞,艾丽森·卡洛尔,珍娜·古德温,妮娜·艾尔斯血战沙漠
迈克尔·C·威廉姆斯,乔·胡尔特拉斯,杰夫·普雷韦特,瓦内莎·约翰逊,Chems-Eddine Zinoune,P. David Miller,Jonas Ball,Matthew R. Anderson,Sam Hunter,Kenny Taylor,Qzaibar Allal,Hammou Abaou,Rkia Chkaroll,Ibtihal Iataren,El Hayrani Lekbir恶魔的破坏 后篇
几田莉拉,志水彩乃,种崎敦美,岛袋美由利,大木咲绘子,和气杏未,白石凉子,入野自由,内山昂辉,坂泰斗,诹访部顺一,津田健次郎蛛仙
孙艺宁,李砚,高广泽,潘严,刘锡明乌龙特工
道恩·强森,凯文·哈特,艾米·莱安,丹尼尔·尼科莱特,杰森·贝特曼,亚伦·保尔,瑞恩·汉森,蒂姆·格里芬,托马斯·克莱舒曼,梅根·帕克普通事故
瓦希德·穆巴谢里,玛丽亚姆·阿夫沙里,艾卜拉希姆·阿兹兹,哈迪斯·帕克巴滕,马吉德·帕纳西,穆罕默德·阿里·艾利亚斯梅尔,德尔玛兹·纳加菲,阿菲桑内·纳姆巴蒂,乔治·哈什姆扎德,莉安娜·阿兹兹菲导演精选
等待方舟
Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
巅峰猎杀
为了考验自己的极限，莎夏（查理兹·塞隆 饰）深入偏僻无情的澳洲荒野，却发觉自己不只必须在严苛环境中奋勇求生，还得对抗一名残忍又危险的恶徒（塔伦·埃哲顿 饰）。
鱼刺2025
李琪和母亲相依为命但关系紧绷，高考结束后，她在鱼档帮母亲照顾生意。在同学小薇的生日聚会上，李琪在对方挑衅下摔坏了小薇的手机，面对索赔危机，李琪决定独自解决。高考成绩出来了，远非母亲想象的那般理想，李琪却不愿听从安排去复读，令母女关系再度蒙上阴影……导演张旭煜的短片作品曾入围二十余个国内外电影节展，这部长片首作则是“青葱计划”五强优胜项目。导演在片中巧妙运用多种意象隐喻角色心理，成长的隐痛如鲠在喉，而资深话剧演员王一楠和新生代演员黄婧仪也以充满张力的互动精准诠释了母女之间爱恨交加的亲子关系。