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After暂无内容some暂无内容years暂无内容of暂无内容tension,暂无内容Richard暂无内容(Clive暂无内容Owen)暂无内容begins暂无内容a暂无内容sexual暂无内容relationship暂无内容with暂无内容his暂无内容sister暂无内容Natalie暂无内容(Saskia暂无内容Reeves).暂无内容Now暂无内容married,暂无内容the暂无内容relationship暂无内容proves暂无内容dangerously暂无内容obsessional.暂无内容Their暂无内容private暂无内容intensity暂无内容(&暂无内容working暂无内容class暂无内容origins)暂无内容contrast暂无内容with暂无内容the暂无内容middle-class,暂无内容inhibited,暂无内容stuffy暂无内容public暂无内容scenes暂无内容we暂无内容see暂无内容in暂无内容the暂无内容Richmond暂无内容world暂无内容into暂无内容which暂无内容Natalie暂无内容has暂无内容moved暂无内容with暂无内容her暂无内容marriage.暂无内容As暂无内容the暂无内容...
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天启Z：完结的起点
一种类似狂犬病的疾病在全球传播开来，将感染者变成极具攻击性的生物。马内尔带着他的猫躲在家中，凭借他的智慧生存下来。很快，他们将不得不外出觅食，寻找陆地和海上的安全之所。《天启Z：完结的起点》是一个身体和情感上的生存故事，伴随着刺激的打斗、紧张的气氛、疯狂的感染......以及一只脾气暴躁的猫。
超暴力机斗
主要讲述了未来世界人与机械武器之间的爱恨情仇。
等待方舟
Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.