拉斯维加斯女孩 Las Vegas Girls (1981)

1.8 播放:30万 更新:2026-04-27
主演: Karen Hall Dan Boulder Roland 

两名侦探受雇前往拉斯维加斯寻找富豪失踪的女儿,在路上他们经历了许多事情。

即刻观影

剧情赏析

两名侦探受雇前往拉斯维加斯寻找富豪失踪的女儿,在路上他们经历了许多事情。

编辑推荐

印度超人前传

瑞哈,赫里尼克·罗斯汉,普丽缇·泽塔,拉克什·罗斯汉,Prem Chopra,Rajat Bedi,乔尼·里沃,穆克什·里希

  本片讲述了印度超人克里斯的父亲的传奇经历。本来胆小懦弱的罗西特偶然与遗落在地球的外星人贾都缔结下深厚的友情,贾都把自己的一身特异功能传给了罗西特并帮助他成为所向披靡的超人... ...  如果说《印度超人》是向超人叫板的话,此前传倒有几分向ET致敬的味道。

鬼猫

黄氏·塞缪尔·安,Thien An,红桃,Nguyen Thuc Thuy Tien

  在顺化的陶瓷马赛克工艺世家中,心爱的长孙离奇死亡,使梅比奇求助于「灵猫」复活孙子,没想到恶鬼也随之而来,开始发生一连串噩梦般的神秘事件…。

诅咒项链

维奥莱特·麦格劳,玛德琳·麦格劳,亨利·托马斯,莎拉·林德,罗马·玛菲娅,菲利斯·索利斯,雅各布·莫兰,克里斯蒂娜·摩尔,Archer Anderson,Amato D'Apolito,Connor Hammond,马特·福勒,丹妮拉·麦斯米兰,阿里·阿夫沙尔,Brynne Kurland,罗琳·约克,Charlotte Haynes Hazzard,Tony Panterra,Johnny Afshar,Madeleine Curry

  Family navigates turbulent 1960s dynamics. Mom separates from alcoholic husband. Daughters grapple with changes. Dad's antique gift hides dark force that imperils all.

鬼租客

纳查潘·帕拉玛查伦罗,Aew Aumpa Phusit,波似·坡尼皮帕特·库尼嗦,坦恩.基缇男.坎蒙功空理法密昕,马克·纳克塔赫·坎那特桑安,Boom Raweephan Siriwattana

  一个破产的平面设计师最终租了一个有着恐怖故事和神秘邻居的房间。

魔镜咒

Davina Karamoy,Ully Triani,Randy Nidji,Eduward Manalu,Beby Evelyn,Dian Sidik,Syifa Aulia

  恐怖和奇怪的事件困扰着玛雅和她家人的生活,她怀疑舅舅和舅妈是幕后黑手,因为他们一直想要获得玛雅家从外公那里继承的房子和土地。但是这种贪恋吸引了一股可怕的力量,这股力量的目标是玛雅全家。

等待方舟

耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔

  Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.  Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?  n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.  What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.  On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.  One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.  Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.