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还魂之迷失曼谷
范逸臣,李昕芸,李媛,雪村林美嘉（李昕芸 饰）、安晓晨（李媛 饰）和陈宇林（范逸臣 饰）大学时代便认识的好友，晓晨与宇林更是亲密的情侣。毕业后这对闺蜜共同进入一家服装设计公司，在残酷的职场中果敢自信的晓晨扶摇直上，很快成为一支团队的负责人，这让美嘉心中难免有所芥蒂。某次二人受公司指派去泰国寻找素材，希望转运的美嘉坚持要去某个偏僻所在向法师求佛牌。此后，两人在泰国遭遇离奇火灾，晓晨命丧异国他乡，美嘉则侥幸逃生，但失去了泰国之行的所有记忆。身为心理医生的宇林固然伤心，同时希望通过自己的专业技能帮助美嘉走出阴影。 可是这番治疗丝毫没有效果，美嘉被恐怖的幻觉所困扰，情况愈演愈烈……
赎命
Leslie-Anne Huff,Roy Werner,Kimberly Estrada,陈奕迅,Lee Perkins少女凯特（莱斯利-安妮·哈芙 Leslie-Anne Huff 饰）拥有一种神奇的能力，随便什么人，她只要看上一眼，便能知道他的死期为何时。一次偶然中，凯特遇见了名为杰森（Anthony Chaput 饰）的男子，凯特发现杰森拥有能够在死后和现世交流的能力，并且，杰森的死期就在几个小时之后。一直想要知道死后世界是什么模样的凯特摆脱杰森在死后同她联络，杰森兴然应允。 果然，很快杰森便死了，在临死之时，一副诡异恐怖的画面出现在了杰森的眼前。之后，凯特果然接到了杰森来自“阴间”的电话，根据杰森的指使，凯特需要前往香港，在那里，一位名叫达伦（陈奕迅 饰）的酒保正在等她。
基佬四十
林子祥,陈小春,吴镇宇,伍咏薇,林建明,毛俊辉,舒淇,杨恭如,张坚庭,张同祖,袁咏仪家声（林子祥 饰）已经四十六岁了，至今仍未成家。他青梅竹马女友丽泉（伍咏薇 饰），要求与他之间做个了断。两人多年来没有结果是因为家声是一名同性恋者。而家声是有一名男朋友Sonny（陈小春 饰）的，但Sonny十分享受花花世界给他带来的虚荣，这样便使得家声觉得十分没有安全感，却又对Sonny的感情越来越深。 家声一名同性恋好友永烈因艾滋病死去了，家声劝止永烈的男友（吴镇宇 饰）不要出现在丧礼上，却被Sonny从中捣乱，家声也因此与Sonny分手了。 但家声复杂的感情世界并没有因为这样得到解决……
被挠
大卫·法里尔,迪伦·里夫,大卫·斯塔尔,哈尔·卡普,戴维·达马托网络上流传着关于“挠痒”的神秘竞技，一个同志想参与这场“挠痒痒大赛”却被告知此运动仅限直男。记者大卫·法里尔(David Farrier)深入探寻后发现“挠痒”的背后是一条完整的灰色产业链，这其中不仅有挠痒视频的制作方对演员的压榨与侵害，甚至还能看到美国由金钱操纵的阶级制度的冰山 一角。 本片曾获得2016年第32界圣丹斯电影节世界电影单元纪录片评审团大奖提名。 一场“挠痒”的运动，却让人笑不 出来。
火箭手
比利·坎贝尔,詹妮弗·康纳利,艾伦·阿金,提摩西·道尔顿,保罗·索维诺,特瑞·欧奎恩,埃德·劳特尔,詹姆斯·汉迪,Robert Miranda,乔·鲍里托,埃迪·琼斯,威廉·桑德森,Nada Despotovich,玛格·马丁戴尔,America Martin,马克斯·格隆切克,迈克尔·米尔汉,乔·达安格里奥,克林特·霍华德,Tommy J. Huff,帕特·克劳福德·布朗,朱利安·巴恩斯,彼得·布罗米洛,Tom Kindle,威廉·弗兰克神父,诺伯特·魏塞尔,梅罗拉·哈丁,瑞克·欧弗顿,Dick War《火箭人》（The Rocketeer）是迪士尼１９９１年推出的电影，故事题材是由 Dave Stevens 同名的图文小说改编而成。 本片是发生在１９３０年代的好莱坞，有一个军方的秘密武器意外落在一位竞技表演飞行员 Cliff Secord 手中，他对此一推进器颇感惊奇， 最后他背上了这付怪东西、戴上面具，成了行侠仗义的『火箭人』，然而各方人马都想夺得这项秘密武器，尤其有一位好莱坞影坛的知名男演员 Neville Sinclair ，他其实是纳粹潜伏在好莱坞的情报份子，为了夺得火箭，他还挟持了 Cliff 的女友 Jenny Blake，火箭人 Cliff 于是展开他的救援行动。 本片由《亲爱的我把孩子缩小了》、《野蛮游戏》、《侏罗纪公园３》以及《百胜天龙》影集的知名导演 Joe Johnston 所执导，他同时也是《星际大战》系列的特效大师。至于演员方面，男主角 Cliff 由 Bill Campbell 担任，女主角则是 Jennifer Connelly，至于片中那位大反派间谍演员，则是由曾演过００７的 Timothy Dalton 担任。 本片配乐的是 James Horner ，原本原声带都已经绝版多年，但在前几年《铁达尼号》造成发烧的时候， James Horner 的作品又造成热潮，迪士尼旗下的好莱坞唱片于是再版发行了这张电影原声带，如今则又绝版了。
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.