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变鬼2
Laila Boonyasak,Phan Rojanarangsri,Pitchanart Sakakorn美国暴力
布鲁斯·邓恩,丹妮丝·理查兹,凯维·莱曼-默塞尤,哥伦布·绍特,罗布·格隆科夫斯基,迈克尔·帕尔,约翰尼·梅辛纳,爱玛·里格比,尼克·齐兰德,帕特里克·基尔帕特里克,迈克尔·约翰·朗,米歇尔·圣托彼得罗,威洛·黑尔猩球崛起3：终极之战
安迪·瑟金斯,伍迪·哈里森,斯蒂夫·扎恩,卡琳·考诺娃,阿米尔·米勒,泰瑞·诺塔里,泰·奥尔森,迈克尔·亚当思韦特,托比·凯贝尔,加布里埃尔·查瓦里亚,朱迪·格雷尔,莎拉·坎宁,德文·达尔顿,阿莱克斯·潘诺维奇,亚历桑德罗·朱利安尼,马克斯·洛伊德-琼斯,蒂莫西·韦伯对鱼的布道
拉纳·阿斯加洛娃,奥尔汗·依斯干达里,侯赛因·纳西罗夫绝录求生
吴超,孙骁潇,吴楚,冯波,王思思,安琥,国庆,刘波冲绳小芙蓉
蔵下穂波,余贵美子,照屋政雄,平良富,NESMITH,亀島奈津樹,和田聡宏,登川誠仁同类精选
非请勿进
斯蒂芬·多尔夫,娜塔莎·麦克艾霍恩,斯蒂芬·瑞此时此地
蒙·康菲多,Lesley Lina,Yukihiko Mizomoto,尾野真千子,曼尼·帕奎奥,田边桃子,Lou Veloso,Buboy Villar,结城贵史来点茶泡饭如何
深川麻衣,若叶龙也,小野寺Zuru,片冈礼子,大友律,山下知子,森礼子,幸野紘子,守屋えみ,尾本貴史,遠藤隆太,松尾贵史,丰原功补,室井滋笔仙大战贞子2
奚美丽,云翔,朱娅,王宇凝,林奕婧非礼勿视
Glen Jacobs,克雷格·霍纳,Michael J. Pagan银行抢劫案
杰森·斯坦森,萨弗蓉·布罗斯,斯蒂芬·坎贝尔·莫尔,丹尼尔·梅斯,詹姆斯·福克纳,阿尔基·戴维,迈克尔·吉普森,乔治娅·泰勒,理查德·林特恩,彼得·鲍勒斯,埃利斯戴尔·皮特里,哈蒂·莫拉汉,朱利安·刘易斯·琼斯,安德鲁·布鲁克,鲁珀特·弗雷泽,克里斯托弗·欧文,凯莉·霍威,唐·加拉格尔,克雷格·法布拉斯,杰拉德·霍兰,罗伯特·怀特洛克,大卫·苏切,彼得·德·杰西,约翰·迈尔斯,科林·萨蒙,莎朗·摩翰,雷·尼古拉斯,杰米·肯纳,安格斯·瑞特,马克·菲尼克斯,朱利安·弗思,鲁珀特·范西塔特,布隆森·韦伯,奥马影视排行
极度失眠
Maria Mathiesen,斯特兰·斯卡斯加德,斯威尔·安克·奥斯达,Gisken Armand,克里斯蒂安·菲根斯科1997年，一部来自挪威的惊悚片《失眠者》上映后获得好评，《芝加哥太阳报》的著名影评人罗杰，艾伯特给出了3星半的高分，他盛赞该片“不仅仅是一部惊悚片或动作片，而是一次心理学上的探索与学习”。两犯罪调查者到挪威北方一个镇帮助解决一个年轻的女孩的谋杀案，谁知陷入了巨大的困境之中。
绑架2007
林嘉欣,刘若英,张智霖,郭涛,张兆辉,官恩娜,赵会南3年前，话剧老师林晓阳（林嘉欣饰）的弟弟被绑架，案件交由高级督察何宛真（刘若英饰）及智叔（张兆辉饰）负责，可是在追捕的过程中，疑犯因争吵坠楼身亡，林晓阳就此埋下了怨恨。 三年后，林晓阳患病的丈夫（赵会南饰）病情加重，需要一千万才能有治好的希望，林晓阳动了绑架富豪王森（郭 涛饰）儿子的念头。多日来林晓阳跟她从尼泊尔认识的同伙跟踪小孩动向，后来决定在一个傍晚下手。刚好案子也是有何宛真接手，就让林晓阳有了报复的心理，何宛真为了救回孩子只好服从，可她万万没有想到，原来王森的儿子，跟自己的儿子调换了衣服穿，被林晓阳绑架的正是何宛真的儿子。 两个女人，都为着心爱的亲人在绑架案中斗志斗勇，展开激烈的较量。
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
勾魂谷
杰米·贝尔,Kris Marshall,Matthew Rhys,Andy Serkis,Hans Matheson故事发生在第一次世界大战期间，英国联军和德军之间的战况日渐白热化，每天都有无数的士兵们含恨死去，年仅十六岁的莎士比亚（杰米·贝尔 Jamie Bell 饰）亦参与了这场战争，战场上伤痕累累的惨状给他的心灵蒙上了厚厚的阴影。 某日，莎士比亚和一干战友们正在进行一项突袭任务，就在大家凝神鼻息偷偷前进之时，一股不知从何而来的神秘烟雾将他们包围。之后，一行人来到了德军的战壕内，然而这里了无生气，有的只是一具具死相及其恐怖的尸体。这里究竟发生了什么？莎士比亚所在的连队继续前进，诡异的事情不断发生，连队中亦不断的有人丧命，莎士比亚隐约觉得，在前方等待着他们的正是地狱的入口。