火辣监狱 女囚 檻 (1983)
某女子监狱,狱长野枝(和泉喜和子 饰)、牛山神父(仙波和之 饰)以及严厉的刑务官森岸子(渡辺良子 饰)占绝对统治地位。这里的犯人被要求不许思考,只许专心工作和吃饭,气氛极度压抑。而犯人之间也不团结,冴子(松川ナミ 饰)及其爪牙横行霸道,任意欺凌弱小。美丽的正代(浅見美那 饰)思念爱人,为此不惜越狱逃跑,却最终被抓返狱中。她偶然撞破岸子和牛山神父的苟且之事,遂以此作为要挟,在狱中和男友得以云雨。然而她的出格举动令狱友和岸子都大为光火,在和冴子互殴过后,她们一起被关入惩罚室。在这个如同地狱的黑暗所在,狱长、神父、刑务官都露出本来的丑恶面目……
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热门影视 大家都在看
赏金猎猪
安迪·瑟金斯,杰森·苏戴奇斯,雷恩·威尔森,洛琳·阿什伯恩,鲁保罗,谢尔碧·杨,Flavor Flav,莉莉·辛格,查尔斯·阿德勒,阿妮塔,汉纳·盖茨比大蛇5:怪兽都市
张傲月,梁颂晴,包贝尔,释彦能,姜超,苑琼丹,石兆琪,邬天,谭琍敏,毛凡炫舞我人生
董维恩,陈乐添,杜梵,李纯洱皇家次子女秘密组织
格雷格·布瑞克,艾洛蒂·袁,斯盖拉·阿斯丁,佩顿·伊丽莎白·李,奈尔斯·菲奇,阿什利·廖,伊莎贝拉·布莱克·托马斯,诺亚·罗麦克斯,贾斯达达,Derry Robinson,Olivia Deeble,Kenny Wong,Seth Mohan,Jadiel Dowlin,Xavier Schoppel金刚不坏2024
乔杉,柳岩,梁龙,孙阳,杨新鸣,桑平,刘长纯,代乐乐吸血猎手
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三傻大闹宝莱坞
阿米尔·汗,卡琳娜·卡普尔,马达范,沙尔曼·乔希,奥米·瓦依达,博曼·伊拉尼,莫娜·辛格,拉杰夫·拉宾德拉纳特安本片根据印度畅销书作家奇坦·巴哈特(Chetan Bhagat)的处女作小说《五点人》(Five Point Someone)改编而成。法兰(马德哈万 R Madhavan 饰)、拉杜(沙曼·乔希 Sharman Joshi 饰)与兰乔(阿米尔·汗 Aamir Khan 饰)是皇家工程学院的学生,三人共居一室,结为好友。在以严格著称的学院里,兰乔是个非常与众不同的学生,他不死记硬背,甚至还公然顶撞校长“病毒”(波曼·伊拉尼 Boman Irani 饰),质疑他的教学方法。他不仅鼓动法兰与拉杜去勇敢追寻理想,还劝说校长的二女儿碧雅(卡琳娜·卡普 Kareena Kapoor 饰)离开满眼铜臭的未婚夫。兰乔的特立独行引起了模范学生“消音器”(奥米·维嘉 Omi Vaidya 饰)的不满,他约定十年后再与兰乔一决高下,看哪种生活方式更能取得成功。 本片获孟买电影博览奖最佳影片、最佳导演、最佳配角(波曼·伊拉尼)、最佳剧本等六项大奖,并获国际印度电影协会最佳影片、最佳导演、最佳剧情、最佳摄影等十六项大奖。
414区
盖·皮尔斯,崔维斯·费米尔,约翰内斯·豪克尔·约翰内森,科林·萨蒙,奈德·丹内利,玛蒂尔达·鲁茨,乔纳森·阿里斯,安东尼娅·坎贝尔-休斯,欧文·弗热瑞,玛吉·克罗宁,Jorin Cooke,Holly Demaine故事背景设置在不远的未来世界,在414区的人型机器人殖民地中,私家侦探大卫·卡迈克尔(皮尔斯饰)受雇于痴迷商业世界的财阀马龙·维特(费米尔饰)去寻找后者叛逆的女儿。卡迈克尔需要与高度智能的机器人(鲁茨饰)通力合作,而在这个过程中,关于414区和“机器人之城”起源的罪行也浮出了水面。
阴目侦信
梁业,何启华,郭嘉骏,吴保锜,周家怡,葛民辉,太保,罗永昌,张达伦,谭旻萱改编自同名热门恐怖小说的电影《阴目侦信》发布先导预告,阴目征信社接到新Case了? 原著讲述从小拥有阴阳眼的石头成长过程十多年来与鬼为邻,见尽生死相隔、人鬼殊途。身为香港首富伍氏豪门的子嗣,伍伯良身负家族世代相传、不可告人的惊天秘密。大学猛鬼宿舍,时辰一到,石头与新结识的伍伯良和怪人PATRICK,能否合力阻止鬼门大开?
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
亨利·休格的神奇故事
本尼迪克特·康伯巴奇,拉尔夫·费因斯,本·金斯利,戴夫·帕特尔,理查德·艾欧阿德本片改编自罗尔德·达尔深受喜爱的故事,讲述富翁亨利·休格(本尼迪克特·康伯巴奇 Benedict Cumberbatch 饰)决心掌握非凡的赌博作弊技巧。