孩子们的秘密

⭐ 2.0 播放:50万 2026-04-30
主演:Brigitte Lahaie Julia Perrin 

90分钟完整海外最清晰一手版本。别名:Segrete esperienze di Luca e Fanny, Le (1980) 卢卡到达度过一个夏天,他的父母和妹妹,范妮,他们在巴黎以外的海边别墅。一切都照顾两个性感女佣(碧姬Lahaie只知道为;XNK1905 ;的黑人女星在欧洲女孩的大人电影数据库)。不明就里的房子的主人,他的两个青春期的孩子发现性也从女佣的帮助。 女佣后享受他们下午关闭(在这里插入x愛场面),卢卡去早睡,这样他就可以偷一些他的姑姑内衣打扮英寸芬妮需要的副本超性别;杂志(意大利色情产品放置有点)从她的床垫下自我解决自己睡觉。卢卡附近的性接触,作为一个年轻的男孩与他的姑姑发生了有背伦理云雨...... 在早晨女佣发现他的黑色丝袜和紧身胸衣,并教他有关性的决定有一些乐趣。为了公平起见,他们做同样的范妮。有了这次经历他的身后,与他的妹妹和一些暧昧,卢卡终于设法完善他的感情,他的姑姑。 这是一个真正的色情和拍摄影片,反映着一个家庭伦理关系的写照。   

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剧情提要

90分钟完整海外最清晰一手版本。别名:Segrete esperienze di Luca e Fanny, Le (1980) 卢卡到达度过一个夏天,他的父母和妹妹,范妮,他们在巴黎以外的海边别墅。一切都照顾两个性感女佣(碧姬Lahaie只知道为;XNK1905 ;的黑人女星在欧洲女孩的大人电影数据库)。不明就里的房子的主人,他的两个青春期的孩子发现性也从女佣的帮助。 女佣后享受他们下午关闭(在这里插入x愛场面),卢卡去早睡,这样他就可以偷一些他的姑姑内衣打扮英寸芬妮需要的副本超性别;杂志(意大利色情产品放置有点)从她的床垫下自我解决自己睡觉。卢卡附近的性接触,作为一个年轻的男孩与他的姑姑发生了有背伦理云雨...... 在早晨女佣发现他的黑色丝袜和紧身胸衣,并教他有关性的决定有一些乐趣。为了公平起见,他们做同样的范妮。有了这次经历他的身后,与他的妹妹和一些暧昧,卢卡终于设法完善他的感情,他的姑姑。 这是一个真正的色情和拍摄影片,反映着一个家庭伦理关系的写照。   

幕后花絮

等待方舟

  Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.  Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?  n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.  What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.  On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.  One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.  Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

博格曼

  Camiel Borgman突然出现在某个富有的郊区,敲响了一户小康之家的大门。他是谁?他代表梦想、魔鬼、讽喻,还是代表了我们的恐惧?