激情边缘
JOHN与安妮在结婚前夕準备结婚时, 被不明车子撞到, JOHN不幸死亡, 而安妮流產, 安妮几乎崩溃. 出院后, 偶遇徐文彬的妻子美秀及儿子仔仔, 恰巧美秀需要请保姆来照顾她的儿子, 安妮就顺理成章的住进文彬大宅, 更幻想有一天能取代美秀地位, 当个母亲. 美秀有心臟病, 不能太剧烈兴奋ML, 美秀為了改善夫妻感情, 竟然利用安妮肉体, 当成结婚纪念日的礼物, nbsp; 送给文彬和安妮一夜春宵, 从此就种下了悲剧的危机, 不但美秀在家的地位不保, 连丈夫和儿子都向著安妮, 美秀责怪安妮没遵守游戏规则, 将她赶出家门. 但文彬不忘安妮, 仍然经常和安妮暗地发生姦情热爱, 并计划远走高飞. 待文彬濒临家破人亡时, 安妮已经想起当年撞死JOHN的车辆车牌号码, 於是事先筹划周全, 将文彬带到JOHN墓园, 请君入瓮, 準备报复......
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剧情简介
JOHN与安妮在结婚前夕準备结婚时, 被不明车子撞到, JOHN不幸死亡, 而安妮流產, 安妮几乎崩溃. 出院后, 偶遇徐文彬的妻子美秀及儿子仔仔, 恰巧美秀需要请保姆来照顾她的儿子, 安妮就顺理成章的住进文彬大宅, 更幻想有一天能取代美秀地位, 当个母亲. 美秀有心臟病, 不能太剧烈兴奋ML, 美秀為了改善夫妻感情, 竟然利用安妮肉体, 当成结婚纪念日的礼物, nbsp; 送给文彬和安妮一夜春宵, 从此就种下了悲剧的危机, 不但美秀在家的地位不保, 连丈夫和儿子都向著安妮, 美秀责怪安妮没遵守游戏规则, 将她赶出家门. 但文彬不忘安妮, 仍然经常和安妮暗地发生姦情热爱, 并计划远走高飞. 待文彬濒临家破人亡时, 安妮已经想起当年撞死JOHN的车辆车牌号码, 於是事先筹划周全, 将文彬带到JOHN墓园, 请君入瓮, 準备报复......
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Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
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