风流三侠

 查理·麦克西的同名绘本改编的手绘动画，关于善良、友谊、勇气和希望，通过一段辛酸而真挚的旅程，讲述了一个男孩、一只鼹鼠、一只狐狸和一匹马，四个孤独的灵魂在寻找家的过程中结伴而行，并在彼此身上找到了自己存在的意义。

　　19世纪，经历了影响深远的南北战争，美国终于迎来了新的时代。亚伯拉罕·林肯（比尔·奥伯斯特 Bill Oberst, JR 饰）接连取得与人类的胜利，却不得不面对新的敌人。他麾下一直部队在巡察途中遭遇活死人，三十人仅有一人幸存，但由于惊吓过度精神失常。北方政府怀疑这是南方的最新武器，于是计划派出一支12人的小分队深入敌后，救出被困的人员。勇猛无敌的林肯见识了活死人的威力，自告奋勇带部队向南方进发。在目标要塞，他们遭遇了数量庞大的活死人军团，这群怪物的残忍更远远超出他们的想象。　　死亡救援之旅漫长难熬，伟大的林肯总统能否带着他的子民逃出生天……

　　Following her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present.　　Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.

　　某座住宅区，负责公寓内各项维修事务的菲恩（Matt O'Leary 饰）和约瑟（George Finn 饰）是一对穷的叮当响的好基友。某天菲恩的女友凯莉（Danielle Panabaker 饰）来到他们的住处，当得知住在隔壁的贝先生已经很长时间没走出房门时，凯莉自告奋勇上门查看，结果却一脸错愕地回到二人面前。原来贝先生早已不见踪影，房间内一面墙贴满了以三个人为对象的拍立得照片，窗口则有一台奇怪的机器正对着菲恩和约瑟的房间。不久后他们发现，那台机器竟是可以拍摄到未来情景的照相机。他们发现了贝先生的尸体，然而因为照相机的原因秘藏了此事。　　无意间拥有了窥视未来的手段，年轻人们的心不知不觉躁动起来……